one year and more |
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The Garage artspace 975 howard street @ 6th street san francisco look for the red door 415 885 4006 |
"— about as underground a venue as you can have in the city —" San Francisco Bay Guardian |
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The Garage
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SPF |
presents |
summer performance festival |
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July 11-12 The Top of the Structure is Not Empty, 2 Evenings of Contemporary Dance July 17-18 New choreography by U Dance Electra and Ishika Seth, also featured PJ Johnson, Suzanne Beahrs July 19 Cabaret, partying and BBQ celebrating Joe’s birthday. The performance will feature cabaret superstar Veronica Klaus and a special performance by the House of Garza July 26-27 (Sat-Sun) An evening of new choreography by Daina Block, Kerri Myers, Brianna Taylor and Julie Wolfrum. July 30-31 (Wed-Thu) Wickie Stamps’ Fugue State Aug 1-2 (Fri-Sat) An evening of new dance by Push Dance Company, also featuring choreographers Laura Arrington and Ara Glenn-Johnson Aug 6, 13 & 20 (Wed) New one-woman performances by Alicia Dattner (The Punchline), Barbara Michaels (The Doormen) and Katie Rubin (Indecision Collision) Aug 8 (Fri) An evening of new dance by the students and teachers from Shoebox Dance Studio Aug 9-10 (Sat-Sun) Nitya Venkateswaran and Deepa Subramaniam will present an evening of South Indian Classical Dance. Aug 14-15 (Thu-Fri) SPF3 presents Sharon Mashihi, Jaimie Venci, Susan Kanga & Observational Science - new experimental dance-theatre Aug 21-22 (Thu-Fri) new choreography by Denia Dance, Jorge De Hoyos & Tunuviel Luv, Pearl Marill Aug 23 24 (Sat-Sun) VaBang! Dance Company featuring choreography by Jessie Feller and Julia Sabangan and GUT DANCE with choreography by Giavanna Enriquez Aug 27-28 (Wed-Thu) Thandiwe Thomas DeShazor presents Children of Last Days, an evening of spoken-word, hip hop and video. starts Jul 26 (Sat) A new video installation by Daniel Konhauser on performance nights 7-8pm & 10-11pm |
| July 26-27 (Sat-Sun) @ 8:00pm | Dance |
All tickets $10-$20, www.BrownPaperTickets |
SPF3 presents: SoShe’s Performance Collective Postcards, two evenings of contemporary dance. Kerri Myers is a dancer, choreographer and performance artist based in San Francisco. Her work has been performed in Boulder and Denver CO, at Perseverance Theatre in Juneau AK, at the American College Dance Festival in Bellingham, WA, and at ODC Commons, Counterpulse, Dance Ground Keriac, Shotwell Studios and The Garage. Kerri is a core member of the award-winning samba/burlesque troupe Hot Pink Feathers, and performs with Dance/Theater Shannon. Kerri holds a BFA in Dance from the University of Colorado, Boulder. Brianna Taylor hails from Portland, OR, and received her BA in dance from the University of Colorado, Boulder in 2003. Her movement and performance inspiration comes largely from modern and african dance, as well as yoga, flamenco, salsa, butoh, the movement of nature and the movement of travels. She was co-producer and choreographer for the performance collective Separation Anxiety in Boulder, CO, and has produced work in the Boulder and Capital Fringe Festivals. In Boulder she was also a member of Logo Ligi West African Dance Ensemble with the Mensah Brothers, and The Skeleton Dance Project with Onye Ozuzu. She has performed with various artists in Washington, DC and Portland, OR, and also had the privilege to perform with African Footprint International in Ghana, West Africa. In San Francisco she has performed with David Dorfman, Shifting Forces Productions, and Kerri Myers in ODC's Pilot 52. Julie Wolfrum graduated from the University of Colorado at Boulder in 2003, with a B.A. in Dance and Communication. She has had the pleasure of working with such artists as Maya Dorn, Lara, Maykovich, Dancers without Borders, the House of Love, Onye Ozuzu, and the International Tap Association. Daina Block studied at the Victorian College of the Arts in Melbourne, Australia, she simultaneously developed her kinesthetic relationship to movement with the dance craft of choreographic design. Her dedication and contribution as a dancer during her college years later paved her way to receive support from the Australian Arts Council in the category recognizing young and emerging artists. She fulfilled this grant and continued for an additional two years with the Australian contemporary dance company Dance Works under the artistic direction of Sandra Parker . Since having moved to the Bay Area, Daina has contributed choreographically to the San Carlos Children’s Theatres’ Little Mermaid and most recent production Get Smart. She has performed in an ODC pilot program and been a past performer at the Garage. |
| Jul 30-31 (Wed and Thu) @ 8:00pm | Performance/Reading |
SPF3 presents FUGUE STATE An evening of staged readings from Fugue State, Wickie Stamps’ New Gothic crime novel-in-progress. Fugue’s sketchy characters—a queer girl out for revenge, her troubled sister, a “defrocked” psychiatrist and his incarcerated brother, and more—will read from their journals, prison files and psychiatric records.
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Tickets: $10 - $20, Brown Paper Tickets.com |
| Aug 1-2 (Fri and Sat) @ 8:00pm | Dance |
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SPF3 presents PUSH Dance Company, Ara Glenn-Johnson and Laura Arrington Push Dance Company provides visual stunning athleticism to the broadest audience possible with its Seasonal Performance -Short Stories, collborations & touring; offering emerging choreographers & established artists performance opportunities, as well as reaching students through performance opportunities with dance workshops. Push Dance Company is a contemporary dance company formed in 2005 by artistic director, Raissa Simpson. By combining exquisite film, music & gadgetry with daring dances, Push Dance Company addresses race, identity, mythical storytelling, history and spirituality with the goal of incorporating modern high-technology. Raissa Simpson and her Company have been honored with grants and awards since founding the company in 2005. Her conceptual incorporation of modern technology & dance can be described as “reflective contemporary choreography,”- Dance Spirit Magazine. In SPF3 the company presents “Judgments In Milliseconds”, a quartet “Buried Alive” and solo “Adinfinitum”. More info: http://www.pushdance.org/performances.php Artist bios here All tickets $10-$20 brownpapertickets.com |
| Aug 6, 13, 20 (Wednesdays) @ 8:00pm | Performance |
| Alicia Dattner, Katie Rubin, and Barbara Michaels doing three evenings of solo-show work together. |
Alicia Dattner, "Eat, Pray, Laugh" Eat, Pray, Laugh is the story of one woman's journey through India, Thailand, and Cambodia in search of God, Truth, and Air Conditioning. Alicia takes on the Indian Mustache Epidemic, French yoga teachers, "Spiritual Materialists" and New Age seekers, the sideways head nod, chicken tikka masala, meditation and "monkey mind," Annoying American Tourists, expatriates living in India, Bollywood and water buffalo, the nature of reality and fabric of time and space, being a stowaway on the Indian Railway, eating with your hands, and pooping in holes.
Artist bios here
Tickets: $10 - $20 Brown Paper Tickets |
Katie Rubin, "Indecision Collision" As Indecision Collision's protagonist, Katie, continues to walk her spiritual path, we meet several characters (10 all told) whom Katie has either dated, asked for advice about dating, or decided to avoid the dating topic with entirely. What makes this piece as potent and relateable is both the narrating voice's poetic quality and the writer/performer's ability to move seemlessly back and forth between a wide array of characters. She plays a neurotic, Jewish CEO (her father), a saccarine Yogi with a sex addiction problem, an aggressive Landmark Workshop Leader, a disempowered midwestern housewife, a supercharged, raw food and juicing junky of a jewish mom of three, an angel/healer/spiritualist, a controlling therapist, a real Buddhist, and several others. The dating struggle, she finds, is truly a search for self. Can she stand in her full power and vulnerability? Or will she shrink from it and sell herself short? Or will it be a bit of both? Come see. It'll be fun indeed. |
Barbara Michaels, "The Doormen" Lovers and others change our lives, opening doors for us that we may ultimately walk through alone... Sometimes that door bangs your butt across the threshold. Sometimes you shake the handle hard, but it's locked tight, or so it seems. Sometimes you dive through with glee only to crumble with longing on the other side. Sometimes you're looking for someone who will both open the door and walk through it with you. And all these moments, the searing and the cheering, are precious, shared, and finally appreciated. The Doormen, as presented here, is an excerpt of a longer show being developed under the wing of the San Francisco Circus Center Clown Conservatory. Look for a daytime walking tour version of The Doormen at the 2008 San Francisco Fringe. More info: BarbaraInCharacter.com |
| Aug 8 (Fri) @ 8:00pm | Dance |
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Shoebox Dance Studio
An evening of new dance by students and teachers from Shoebox Dance Studio (www.shoeboxsf.com), with guest performances by Claire Furlotte, Damage Control Dance Theater and UNMATA (www.unmata.com)
Tickets: $12 |
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| Aug 9-10 (Sat and Sun) @ 8:00pm | Dance |
Bharatanatyam: South Indian Classical Dance |
Nitya Venkateswaran and Deepa Subramaniam will present an electrifying evening of Bharatanatyam, South Indian Classical Dance, highlighting the athleticism and grace of this dynamic art form. The dancers will present traditional and original choreographies, depicting Hindu mythology and present day themes. More info: www.nityav.com Nitya Venkateswaran: Immersed in Bharatanatyam (South Indian Classical Dance) since the age of 4, Nitya Venkateswaran has dazzled audiences in the Bay Area and India with her athleticism, grace and charming stage presence. She has performed in the prestigious Music Season and Shivarathri Festivals in India and was featured as a soloist in San Francisco's 2005 Ethnic Dance Festival. A Bay Area native, Nitya is the senior disciple of Vishal Ramani, Artistic Director of the Shri Krupa Dance Company in San Jose. Deepa Subramaniam began learning Bharathanatyam since the age of seven under Indumathy Ganesh of Nrithyollasa Dance Academy in 1988. In 1998 she traveled with the Nrithyollasa Dance Company to perform in South India and in 2005 performed with Nrithyollasa Dance Company at the New Prague Dance Festival in the Czech Republic. She has performed as a solo artist in numerous Bay Area/San Francisco events as well as being a company dancer with NATyA, an innovative dance company blending world dance and music at http://www.natya.info |
Tickets: $10 - $20 |
| Aug 14-15 (Thurs and Fri) @ 8:00pm | Dance/Theater |
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Observational Science presents: In "Things That Are Not Obsolete," a short solo work, Channing Sargent charts a path toward identity and meaning of self and other. Observational Science is dedicated to the creation of new theater works through cross-disciplinary experimentation and collaboration. Drawing inspiration from a broad range of subject matter and creative media, its central purpose is two-fold: 1) To cultivate new theatrical forms and techniques that both challenge and reflect contemporary society; 2) To disrupt the containment and stability of theatrical tradition. Company co-founders and co-directors are Celeste Martinez and Channing Sargent. |
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Sharon Mashihi and Jaimie Venci present "The Light Under the Blanket" - Bay Area dancer Jamie Venci teams up with New York storyteller Sharon Mashihi to tell secrets in a fort in the darkness as the two women explore the bittersweetness of nostalgia and the collective cultural impulse to own and lock up both traumatic and delicious memories. The mutli-tasking performers do all of this while spontaneously bursting into arabesques and orchestrating a soundscape live using a dozen vintage analog tape recorders. |
SPF3 presents Sharon Mashihi and Jaimie Venci Susan Kanga Observational Science
Artist bios here
Tickets: $10-$20 Brown Paper Tickets.com |
In "This Arundhati, She Is Always Complaining," Susan Kanga presents a series of linked South Asian women's monologues exploring the connections between globalized consumerism and poverty, diaspora and cultural erosion,internalized oppression and radical activism.In "This Arundhati," a mother berates activist Arundhati Roy for complaining too much, while bemoaning her own lack of choice in life, while her daughter,"Dot-Com Babli," tries to hold it together in a new country she can't quite afford. |
| Aug 21-22 (Thu and Fri) @ 8:00pm | Dance |
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SPF3 presents Denia Dance, Jorge De Hoyos & Tunuviel Luv, Pearl Marill An experimental dance-theater piece exploring concepts of time and the search for an ultimate truth between two people who experiment on and exploit each other in service of their pursuits. Artist bios here Tickets: $10-$20 Brown Paper Tickets.com Photo: Denia Dance |
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| Aug 23 24 (Sat-Sun) @ 8:00pm | Dance |
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| GUT DANCE presents "A gift for Cubby" premiere. a trio based on memory and asking for help. music composed by seattle musician Izaak Mills. "it feels good to be loved..." duet on a 4x4 stage based on the pulls, struggles, and passion in a relationship. "tearin' up junk mail" a highly physical group piece showing the power of trance and unity, full of extreme partnering and driving movement, the music composed by Seattle musician Chris Stewart. |
VaBang! Dance Company, www.vabang.org/archives/category/events, Tickets $10 - $20, BrownPaperTickets |
| Aug 27-28 (Wed and Thu) @ 8:00pm | Performance |
Thandiwe Thomas De Shazor as AlphaHydroxy photo: Ri Ri Garcia for Rimarkable Things |
AIRspace and SPF3 present CHILDREN OF THE LAST DAYS Thandiwe Thomas De Shazor Children of the Last Days is a semi-autobiographical, multi-media performance piece that explores, juxtaposes and satirizes the modern Black church and the Black gay community. Thandiwe Thomas De Shazor uses prose, monologue and dance in this colorful and comedic commentary on the past, present and future. Tickets: $10 - $20, Brown Paper Tickets.com |
| starts Jul 26 (Sat) @ 7-8pm and 10-11pm on performance nights | Art exhibit |
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by Daniel Konhauser
“Endless Landscape” is an image filled maze, a sequence of sights and sounds in a narrow corridor that the audience will pass through, which examines the ways in which modes of transportation affect our perception of our environment, our relationship to it, and the stories we construct as we travel through it. |
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. The Garage has a sprung dance floor with mirrors and is available for joe landini (The Garage artspace / director) michael michalske (The Garage artspace / technical director)
RAW, a 12 week residency program offering approximately 4-6 hours of free rehearsal space that culminates in a SPF3 (third annual summer performance festival) late june and july AIRspace, a 12 week residency program for bay area queer performance artists. the raw & uncut performance showcase (march), all disciplines encouraged. please contact joe landini 415 885 4006 for more details. |