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Rudy Lemcke is an artist who lives and works in San Francisco, California. His paintings and sculpture have been exhibited in such venues as: The Whitney Museum of Art, The DeYoung Museum, The University Art Museum at Berkeley, The San Francisco Art Institute, The Grey Gallery in New York, and Modernism Gallery in San Francisco.

His experimental short video works have been shown internationally in venues such as, the Dallas Video Festival, the Mix Festival, San Francisco's Frameline Film Festival, Hallwalls, ATA Gallery, Stoney Brook University, SUNY (Framingdale), and the Festival Nemo in Paris.

"Where the Buffalo Roam" (2007) is an short experimental film that juxtaposes a Native American myth about the disappearance of the American buffalo with images of Act-Up, old Hollywood cowboy movies and a John Cage piano concert.

Vixen Noir presents a provocative evening of burlesque and spoken-word that traces her evolution from being a sensual toddler, to being a teen wrought with erotic fantasies and coming out as a lesbian. Her drug-induced twenties were replete with low self-esteem, bad choices, the elusive orgasm and her never-ending search for sexual freedom on a higher plane.

In a funny, edgy, sexy and raucous one-woman performance, Vixen gets down and dirty as she sets out to prove that her smutty ways were passed down through her matriarchal bloodline. Vixen believes, “I came out of my mother’s womb sexually charged!” Her performance employs a fierce mix of storytelling, poetry, monologues, songs, burlesque, contemporary dance and culminates in an explosive, mind-bending, toes-curling climax that will have you looking at sexuality in a whole different light.

Thandiwe Thomas de Shazor uses prose, monologue and dance in this colorful and comedic commentary on the past, present and future, a semi-autobiographical, multi-media performance piece that explores, juxtaposes and satirizes the modern Black church and the Black gay community.

Thomas has been performing for over ten years in such shows as Oklahoma, The Music Man, Lysistrata and Ron Allen’s Tibetan Book of the Dead.  Thomas has studied under Hilary Ramsden, co-founder of the Furniture Factory and was an apprentice at Oakland University’s Meadowbrook Theatre. As a writer, he was first published at age 19 in Between the Lines Newspaper where he became a staff writer and wrote the weekly entertainment column “Check This Channel Out”. Most recently, his story “Pussy Pass it On” was published in If We Have to Take Tomorrow, an anthology of black gay writers. Since moving to California he has toured singing with artist Ri Ri Garcia, performing at The House of Stormz and San Francisco Gay Pride. Thomas also performed at the 2007 NQAF event Why are Faggots so Afraid of Faggots?

Lynne Breedlove - A vanguard of the queer/trans community, Lynn Breedlove is a visionary who has long been shaping revolutionary art. S/he has over 3,790 hits on Google.com. The founder and frontperson of the first American out dyke punk band Tribe 8, which has always stood for queer, transgender, multiracial, and working class visibility, Breedlove has toured Europe and North America with Tribe 8 as well as Rise Above: The Tribe8 Documentary. S/he is the acclaimed author of Godspeed, an autobiographical novel which s/he has toured as a multi-media solo show highlighted by the music and photos of women, queers, dykes, and transfolk. Breedlove has been a featured performer at Sister Spit, Michigan Women’s Music Fest, SF Tranny March, and multiple Ladyfests and Pride fests over the last fifteen years, including Europride 2000 in Rome. IN 2003, s/he developed the concept of The Old Skool New Skool Project, a year of monthly events teaming first and second generation women’s music stars, and assisted Boo Price in producing it at the Montclair Women’s Club in Oakland.

The consummate candy-fag, Thisway/Thatway (Stephanie Cooper) enjoys the messy collision of glitter and theory. The work of this genderqueer blackpanamanian intermedia performance artist explores the perils and possibilities of interstitial spaces. She ran amok with the finest of Washington, D.C.'s drag/burly-q scene before wandering to California's Bay area. When not on stage, he can be seen as "smarty-pants student" at Mills College pursuing a degree in Ethnic Studies and Intermedia Arts. Also performing with Thisway / Thatway will be Jailbird Thunderheart (Anna Whitehead), a writer, painter, and performer who occupies most of her time making music under the guise of Jailbird Thunderheart. She has worked as a teaching artist for the past two years, assisting youth and adults in the puppet and mural arts, co-organizing community parades, and building and playing musical instruments. Redwolf Painter is a two-spirit mixed blood Heyoka retired punk from Alaska. Wolf grew up in a poor mixed blood American Indian/White family with deep Alaskan roots which reverberates throughout his writing and social justice work. For the last 15 years Wolf has been writing, performing and producing events for various non-profit organizations. Currently Wolf sits on the original Transmarch Steering Committee in San Francisco, volunteers with Frameline.

Meliza Bañales is a writer originally from Los Angeles. She is the author of Say It With Your Whole Mouth and the forthcoming 51 Poems About Nothing At All. Her work can be found in the anthologies Without A Net: The Female Experience of Growing-Up Working-Class, Baby, Remember My Name: New Queer Girl Writing, The Encyclopedia of Activism and Social Change, and Word Warriors: 35 Women Leaders of the Spoken-Word Movement. She was the first Latina to win a slam championship on the west coast and has competed on three national slam teams as well as coached and was the winner of the 2002 People Before Profits Poetry Prize. Her film, “Do the Math”, with Mary Guzmán was the winner of a 2006 Frameline Completion Grant. She currently wrapped up being on the Fall ’07 national tour with rowdy, spoken-word outlaws Sister Spit, is the winner of a 2008 Creating Queer Community Grant, has a clothing line as Missy Fuego for Never Never Designs, is working on another short film “Getting Off” with J. Aguilar, is co-executive producer of the Tina D’Elia film, “Lucha”, (which chronicles the revolutionaries of El Salvador) and is an artist-in-residence for Airspace. She lives in San Francisco and you can visit her on the web at www.myspace.com/Meliza Bañales and at www.neverneverdesigns.com.

Michelle Tea is the author of four memoirs and a work of utter fiction titled Rose of No Man's Land. Her poetry chapbooks from the 90s were gathered into a collection called The Beautiful, and she has edited a bunch of antholgies, most recently the new queer girl writing volume, Baby, Remember My Name, and the compendium of feminist fashion esays, It's So You. She runs Radar Productions, which produces a bunch of literary events and excursions, including Sister Spit: The Next Generation, a national female literary performance tour.

Sherilyn Connelly (at left) is a San Francisco-based writer. She's performed at past NQAF shows such as The 'Penis' Issue, TransForming Community, and Working for the Weakened (which she also curated). Her writing can be found on paper in It's So You, I Do / I Don't: Queers on Marriage, Good Advice for Young Trendy People of All Ages, More Five Minute Erotica, and online at medialoper.com and sherilynconnelly.com. She curates and hosts Bad Movie Night at The Dark Room.

Celestina Pearl is a performer, writer, poet, and all-around fierce mujer. She has peformed with the award-winning theater performance Liquid Fire, recently toured nationally with Body Heat: The Femme Porn Tour, and is featured in the book Femmes of Power by Ulrika Dahl and Del La Grace. She lives and writes in San Francisco.

 

Thea Hillman redefines memoir in a series of compelling stories that take a no-holds-barred look at sex, gender, family, and community. Whether she's pondering quirky family tendencies ("Drag"), reflecting on queerness ("Another"), or recounting scintillating adventures in San Francisco's sex clubs, Hillman's brave and fierce vision for cultural and societal change shines through.

Intersex (For Lack of a Better Word) chronicles one person's search for self in a world obsessed with normal. In first-person prose as intimate as a diary.


Intersex (For Lack of a Better Word) is published by Manic D Press.

 
 

Katie Rubin began her career as a writer/performer at Amherst College with her first original piece, PartyBoobyTrap.  Her second play, Avoiding Less Blue, was produced through the 2000 New York Fringe Festival.  Insides OUT! is her third work for the stage and was her first solo show.  Ms. Rubins most recent writing credits include the completion of two plays commissioned by the Health Education Department at UC Davis.

Insides OUT! is the emotionally charged and hilarious story of one young persons journey from her high school and college years through her introduction to the working world. Abuse of alcohol, drugs, food, and sex, mark a journey into and ultimately out of self-loathing. The performance seeks to depict the lifelong struggle for integration of the many aspects of the self, and the continued voyage towards peace of mind.

WHAT PEOPLE ARE SAYING ABOUT KATIE RUBIN:

"[Her] show is a living masterpiece! Her characters are tragic, comedic, sardonic and sassy, each one mirroring the best and worst in all of us. Not since Lily Tomlin in 'Search for Signs of Intelligent Life' have I been so moved by an artistic performance. [She] is brilliant and her show is spellbinding from beginning to end. She received a standing ovation from a full auditorium as tribute to her creative excellence. I wish everyone in the country had the opportunity to see it, for there's something in it for all of us. If you have a chance to book her, by all means do it!"  Jan Phillips, author of Marry Your Muse, God is at Eye Level, Making Peace, A Waist is a Terrible Thing to Mind

"Impeccable comedic timing, beautiful singing voice.  It reminded me of the power of the simplicity of the body.  [Her show is] everything theater should be.  I'm a fan forever."  Rinde Eckert, Composer, Solo Performing Artist

"Katie Rubin is more than a talent.  She is a warrior of the stagefiercely inventive, strikingly genuine, and deeply human.  As a writer, she is dexterous and keen.  As a performer, she is agile and bold.  She breaks boundaries, creates new ones, and interacts with them through the insight of her words and sincerity of her performance.  The American Theater NEEDS Ms. Rubin." Lauren Feldman, Playwright, Yale University

"No matter how brilliant our attempts to inform, it is our ability to inspire that will turn the tides. And Katie does just that!  She is a genius. You will be hearing about her."  Barbara Riddle, novelist, author of The Girl Pretending to Read Rilke

"Astonishing! Hilarious! And should be seen by every generation of women. We all connect powerfully to this, see our lies in this brilliant young woman on the stage, and laugh with the ache of familiarity and joy of growth. Should be seen everywhere."  Anya Achtenberg, author of Adventures of Devil Girl

Alicia Dattner has been writing and performing standup comedy for over 10 years, appearing with comedians such as Will Franken, Arj Barker, Eugene Mirman, and Amy Stiller. She's appeared at The Punchline, Cobb's Comedy Club, and The Improv. Alicia studied filmmaking at Hampshire College. She subsequently studied Method Acting for four years with Rob Reece and scriptwriting for two years with Will Dunne. Several years ago, she started a circus called "The Latest Show on Earth" with Ben Turner and toured the country.

 

The Punchline - This one-woman-show takes an irreverent look at what stops people from pursuing their dreams. Dives inside the wild playground of the mind and ask the big questions: What's life all about? Why am I here? Where are you hiding the chocolate? Take a journey with Alicia into the quirky world of standup comedians, hungry-funny monsters who live in the belly, Jewish grandmothers, and wacky gurus who all think they know the answers. This poignant and bittersweet comedy speaks to the heart of what matters.

WHAT PEOPLE ARE SAYING ABOUT ALICIA DATTNER:

"We were rolling on the floor laughing. It's raw, intimate, incredibly vulnerable, honest, and sexy." - Steve Blumenthal

"Alicia is one of the funniest, non-famous comedians I have ever seen. And I know comedy. When I was a kid, my dad owned a comedy club on the Laff Stop circuit. I can't wait to round up bunches of friends for her show ...join us!" - Bryan Neuberg